Performance Practices in Classic Piano Music Their Principles and Applications Sandra P Rosenblum 9780253206800 Books lecteur PDF Performance%20Practices%20in%20Classic%20Piano%20Music%20Their%20Principles%20and%20Applications%20Sandra%20P%20Rosenblum%209780253206800%20Books
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lecteur PDF Performance Practices in Classic Piano Music Their Principles and Applications Sandra P Rosenblum 9780253206800 Books RTL
Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.
Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum’s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi.
"... is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." ―American Music Teacher
"Rosenblum’s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." ―Journal of Musicological Research
"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." ―Early Keyboard Journal
"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." ―The Musical Times
"Its importance to thoughtful musicians cannot be overstated." ―Choice
"... thoroughly musicological." ―Performance Practice Review
"... indispensable... " ―New York Times
Sandra P. Rosenblum,Performance Practices in Classic Piano Music Their Principles and Applications,Indiana University Press,0253206804,Genres Styles - Classical,Musical Instruments - Piano,Reference,Performance practice (Music);18th century.,Performance practice (Music);19th century.,Piano;Performance.,18th century,19th century,History,Keyboard instruments,MUSIC / Genres Styles / Classical,MUSIC / Musical Instruments / Piano Keyboard,MUSIC / Reference,MUSICAL INSTRUMENTS - TECHNIQUE,MUSICAL PERFORMANCE,Music,Music/Songbooks,Musical Instruments - Techniques,Musical instruments instrumental ensembles,Non-Fiction,Performance,Performance practice (Music),Piano,Reference works,Scholarly/Graduate,Techniques of music / music tutorials,UNIVERSITY PRESS,United States,Western music periods styles,MUSIC / Genres Styles / Classical,MUSIC / Musical Instruments / Piano Keyboard,MUSIC / Reference,Music/Songbooks,18th century,19th century,Performance,Performance practice (Music),Piano,Musical Instruments - Techniques,Musical Performance,Music,Keyboard instruments,Musical instruments instrumental ensembles,Reference works,Techniques of music / music tutorials,Western music periods styles
Performance Practices in Classic Piano Music Their Principles and Applications Sandra P Rosenblum 9780253206800 Books Reviews :
Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.
Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum’s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi.
"... is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." ―American Music Teacher
"Rosenblum’s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." ―Journal of Musicological Research
"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." ―Early Keyboard Journal
"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." ―The Musical Times
"Its importance to thoughtful musicians cannot be overstated." ―Choice
"... thoroughly musicological." ―Performance Practice Review
"... indispensable... " ―New York Times
Sandra P. Rosenblum,Performance Practices in Classic Piano Music Their Principles and Applications,Indiana University Press,0253206804,Genres Styles - Classical,Musical Instruments - Piano,Reference,Performance practice (Music);18th century.,Performance practice (Music);19th century.,Piano;Performance.,18th century,19th century,History,Keyboard instruments,MUSIC / Genres Styles / Classical,MUSIC / Musical Instruments / Piano Keyboard,MUSIC / Reference,MUSICAL INSTRUMENTS - TECHNIQUE,MUSICAL PERFORMANCE,Music,Music/Songbooks,Musical Instruments - Techniques,Musical instruments instrumental ensembles,Non-Fiction,Performance,Performance practice (Music),Piano,Reference works,Scholarly/Graduate,Techniques of music / music tutorials,UNIVERSITY PRESS,United States,Western music periods styles,MUSIC / Genres Styles / Classical,MUSIC / Musical Instruments / Piano Keyboard,MUSIC / Reference,Music/Songbooks,18th century,19th century,Performance,Performance practice (Music),Piano,Musical Instruments - Techniques,Musical Performance,Music,Keyboard instruments,Musical instruments instrumental ensembles,Reference works,Techniques of music / music tutorials,Western music periods styles
Performance Practices in Classic Piano Music Their Principles and Applications [Sandra P. Rosenblum] on . PPerformance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive
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